# wns-b1ty-real-example-v3L: edit map (EDL)

- Built from Ty's per-line reads (he read every line twice; CoS e-5523dc3d): 8 reads from b1-take-1, b1-take-2, spliced only in the silence between sentences, never inside a word or a sentence.
- Output 806 frames at 30 fps = 26.87 s. Frame 1 = 2 frames before his first syllable (selects 0.567 s).
- On-screen words = his words, popped on his voice onsets (energy-checked whisper times). No second caption track (EX-3).
- Splices in output seconds: 1.97, 3.47, 7.00, 12.00, 16.17, 19.20, 21.93. Every splice where his picture shows falls on a beat change (punch-in, cutaway or card), so no jump cut plays on screen (jumps on screen: 0).

## Reads used (one per script line)

| # | Line (gated script e7fb125) | Source take, in-out (s) | Output (s) | Why this read | Cut gate (in→onset / offset→out, >2 kHz / quiet before in / level at out) |
|---|---|---|---|---|---|
| 1 | This is one of my workout videos. | `b1-take-1` 9.800-12.333 | 0.00-1.97 | ON CAMERA (hook). Eyes on the lens every sampled frame; steadiest read of the 3 (head move 0.46 vs 0.49 / 0.92); open, relaxed face (take-2 read has furrowed brows). | 620 / 213, 213 ms / -1.7 dB / -6.0 dB: PASS |
| 2 | It's already on YouTube. | `b1-take-2` 13.100-14.600 | 1.97-3.47 | VO (long-video card). Word-exact, whisper p 0.96; same take as the next line. | 150 / 230, 230 ms / 4.1 dB / 0.3 dB: PASS |
| 3 | Our team cut these three finished, captioned Shorts from it. | `b1-take-2` 16.867-20.400 | 3.47-7.00 | VO (Shorts). Only take where whisper hears 'captioned' unprompted (take 1 both reads: 'caption'); steadier of the 2 reads (0.55 vs 0.97). | 173 / 210, 210 ms / -2.5 dB / -1.9 dB: PASS |
| 4 | With the One Video Content Package, our team also writes your three title options, | `b1-take-2` 39.067-44.067 | 7.00-12.00 | VO (card). Word-exact incl. 'the' (the other take-2 read drops 'the'). | 163 / 157, 157 ms / 3.0 dB / 4.1 dB: PASS |
| 5 | a description with your link first, and timestamped chapters. | `b1-take-2` 50.533-54.700 | 12.00-16.17 | VO (card). v2, Ty note 3: v1's read (take 2 46.43) has a 380 ms hesitation between 'and' and 'timestamped' and breaks the word (whisper: 'time -stamped'). This read (take 2 50.71-54.19) is one breath, every sound of 'timestamped' present (s-t-a-m-p + t release into 'chapters'), level matched to the line, longest pause 170 ms; same take as lines 2-4, 6, 7, so no level/room match is needed. Take 1's only read (40.60) is fluent but 'timestamped' is its quietest word (+3.2 dB over the line median vs +10.6 here) and the -ed is lost. | 177 / 230, 400 ms / 9.2 dB / 5.4 dB: PASS |
| 6 | You get up to three Shorts, depending on your footage. | `b1-take-2` 56.067-59.100 | 16.17-19.20 | VO (card item 4). Word-exact, p 0.95, steadier of the 2 reads (0.81 vs 1.05). | 143 / 220, 220 ms / 6.6 dB / 3.6 dB: PASS |
| 7 | Forty-seven dollars, first order only. | `b1-take-2` 59.300-62.033 | 19.20-21.93 | VO (card fold). Word-exact, p 0.95 (best of 4 reads). | 160 / 213, 213 ms / 8.0 dB / 1.8 dB: PASS |
| 8 | Send us one finished video at Watch Next Studio dot com. | `b1-take-1` 54.100-58.667 + 0.73 s room tone [7.45, 8.183] | 21.93-26.87 | ON CAMERA (close). Eyes on the lens, steady (0.76-0.89); take-2 reads rejected: 67.82 'unfinished', 72.15 eye-roll/blink mid-line, 76.70 head bob (pitch sd 5.8 deg). Audio out 70 ms after his last word (a breath follows); end-card tail = 0.75 s room tone from the same take. | 160 / 87, 247 ms / 2.3 dB / 5.5 dB: PASS |

Cut rules (STANDING-RULES YouTube learnings 7 / Editor R16): ≥ 40 ms in-point→onset, ≥ 60 ms last offset→out-point (broadband AND >2 kHz), the 60 ms before the in-point and the out-point itself at most floor + 10 dB, 12 ms fades inside the kept audio. Picture and sound cut on the same frame.

## Beats

| Out (s) | Beat | Picture source | Words on screen (his) |
|---|---|---|---|
| 0.00-0.58 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-1.mp4` 10.37-10.95 | This is one of my |
| 0.58-1.97 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-1.mp4` 10.95-12.33; `b1-take-2.mp4` 13.10-13.10 | workout videos. |
| 1.97-3.64 | longvid | his long video 5ItVoXnETYw (coachty_5ItVoXnETYw.mp4, md5 be4103cb) playing MUTED from 3:17.4 in a 720 px 4:3 card centred on x 540; his real 73-character title under it at 48 px; "Example" pill | It's already on YouTube. |
| 3.64-7.26 | shorts | the 3 gated DB3 Shorts (web720 md5 52172f7e / 2e53469b / 66cf62a2), one per phrase, each from frame 0, MUTED, 551x980 centred on x 540, "Example" pill; order devil's press (s2) > ground to overhead (s3) > full workout (s1) | Our team cut these three / finished, captioned / Shorts from it. / With the One Video Content Package, |
| 7.26-10.61 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 39.33-42.68 | our team also writes your |
| 10.61-12.00 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 42.68-44.07 | three title options, |
| 12.00-13.57 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 50.53-52.11 | a description with your link first, |
| 13.57-16.17 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 52.11-54.70; `b1-take-2.mp4` 56.07-56.07 | and timestamped chapters. |
| 16.17-19.20 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 56.07-59.10 | You get up to three Shorts, / depending on your footage. |
| 19.20-21.73 | card47fold | the price card from the same capture: heading + "$47 for the complete package" + button + "First order only. Shorts quantity depends on usable footage." (under-line 48.7 px), centred, price + under-line outlined in red (Editor condition 1); pops in (frame 1 already at half strength) | $47, / first order only. |
| 21.73-21.93 | tyfull | Ty on camera, J-cut: `b1-take-1.mp4` 53.90-54.10 (his take's own picture just before its in-point, leading its sound by 6 frames; he is silent; sound under it = the end of the read before) |  |
| 21.93-24.57 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-2.mp4` 62.03-62.03; `b1-take-1.mp4` 54.10-56.74 | Send us one finished video at |
| 24.57-26.27 | tyfull | Ty on camera (his own sync picture, same take and time as the audio): `b1-take-1.mp4` 56.74-58.43 | watchnextstudio.com |
| 26.27-26.87 | end3 | 0.6 s end card: WNS logo + watchnextstudio.com (EX-7); the URL rides on his last line before it |  |

## Transitions
- Hard cuts on his word onsets (or on the splice just before it, so his picture changes once). Punch-ins to 112 % (SV-E01). UI elements pop in (4-5 frames, opacity + 97->100 % scale, sub-pixel) and then hold still: no pushes (v1 pushes stepped by whole pixels). B4 description: an 8-frame camera move-in to line 1 (his link). No other transitions. Captions: caps.py style A (Ty's pick), top band above his head, 1 line over his picture (split on his onsets when needed), up to 2 over UI. v3: his framing changes on his onsets between 100 % and 112 % (B2 also 122 %; SV-E01), and on every splice where his picture shows. B1 0-1.97 s: the 3 DB3 Shorts (s3 from 12.0 s, s1 from 4.0 s, s2 from 13.2 s; muted) fanned under his chin and pushing 95->100 % toward the lens, "Example" pill. Big words (88 px, style A) in the band above his head on the package items and the URL; B2 "No channel access" = a navy label over his caption (<= 6 words on screen, EX-3).

## Sound
His sync sound only (no DB3 audio anywhere): HPF 80 Hz, light FFT de-noise, de-ess, 2.5:1; Pixabay "Corporate Background" (609167, licence on file) ducked under every sentence (≥ 15 dB, see .audio.json); ticks/clicks on picture changes only. SFX cues (s): tick 1.97, tick 3.67, tick 4.73, tick 5.90, tick 19.45.